鄺 龑. 由“無我之境”到“詩中有畫”：抒情主體之道: From “Impersonal Inscape” to “Painterliness in Poetry”: The Way of the Lyrical Subject. 人文中國學報, [S. l.], v. 17, p. 331–359, 2011. DOI: 10.24112/sinohumanitas.172596. Disponível em: https://ejournals.lib.hkbu.edu.hk/index.php/sinohumanitas/article/view/2596. Acesso em: 29 apr. 2024.