爲現代都市勾繪新畫像———林燿德的都市詩學

Painting New Modern Urban Portraits: Lin Yaode’s Urban Poetics

Authors

  • 陳俊榮 (CHEN Chun Jung) 臺灣臺北教育大學語文與創作學系

DOI:

https://doi.org/10.24112/sinohumanitas.202168

Keywords:

都市詩, 都市精神, 文本性, 差異地點, urban poetry, urban spirit, textuality, heterotopias

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

林燿德在1980年代大力提倡所謂的“都市詩學”，成爲論者所稱“都市文學的主倡者與實踐者”。他的都市詩學確有助於都市詩風潮之形成，爲都市詩作爲1980年代崛起的新詩型樹立了風向標。他援引後結構主義理論，特别是巴特、德希達、福柯等人的説法，以逐步建構他的都市詩學，並從這個角度將後現代主義嫁接其中。本文“都市的時代性”、“都市的文本性”以及“都市的異地性”從三個角度著手，探討其都市詩學理論。

People called Lin Yaode “the primary advocator and practitioner of urban literature” since he fervently advocated so-called “urban poetics” in the 1980s. His urban poetics indeed contributed to the formation of the urban poetry trend and set a benchmark for urban poetry as an emerging genre. He cited the poststructuralist theorists, especially Barth, Derrida, and Foucault, in order to gradually construct his urban poetics, and grafted postmodernism into urban poetics from this perspective. Reviewing Lin Yaode’s related discourses, this essay investigates three aspects of his urban poetics: the urban epoch, urban textuality, and urban heterotopias.

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Published

2014-09-01

How to Cite

陳 俊. (2014). 爲現代都市勾繪新畫像———林燿德的都市詩學: Painting New Modern Urban Portraits: Lin Yaode’s Urban Poetics. 人文中國學報, 20, 319–342. https://doi.org/10.24112/sinohumanitas.202168

Issue

第二十期

Section

論文

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Copyright (c) 2014 人文中國學報

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