王質《詩總聞》的文學觀

The Literary Views in Wang Zhi’s Shizongwen

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

本文乃前作〈王質「詩總聞」初探〉（見李家樹：《傳統以外的詩經學》〔香港：香港大學出版社，1994〕，頁9-26）的姊妹篇。〈初探〉一文，透過通盤檢查《詩總聞》的內容，探討王質説詩的觀點和方法，並特別指出：真正打倒《毛詩序》的，在南宋是鄭樵(1103- 1162)、王質(1127-1189)，而非人人公認的朱熹 (1130-1200)。本文再次檢閱《詩總聞》全書，從王質「以人情論《詩》」説起，考察他怎樣啟導了用文學眼光來研究《詩經》的傾向，重點是把《詩總聞》所揭橥的文學觀清晰地呈現出來。此文可與作者前文合看。

This is the author’s second paper on Wang Zhi’s (1127-1189) Shizongwen, a long-neglected work in the study of the Shijing of the Nan-Song period. His first paper, “Wang Zhi’s Shizongwen: A Preliminary Study” (see Lee K. S., The Alternate Studies to the Book of Songs [Hong Kong: Hong Kong University Press, 1994], pp. 9-26), explores the way and manner Wang Zhi interpreted the 305 pieces of poems of the Shijing and has come up to the conclusion that it was Zheng Qiao (1106-1162) and Wang Zhi who had really overturned the Maoshixu in Nan-Song and not Zhu Xi (1130-1200), though Zhu was regarded as the leader of the anti-traditionalists at that time as far as the study of the Shijing is concerned. After re-examining the contents of the Shizongwen, this present paper attempts to show that Wang Zhi’s elucidations of the Shijing poems with special reference to the feelings of individual poets are, in fact, the first of their kind to begin to systematically to study this monumental anthology from a literary point of view. Last but not least, it has also tried to provide an account of the literary views expounded by Wang in his Shizongwen.