厲鶚與姜夔：浙西别調與白石新聲

Jiang Kui and Li E: The Other Tune of West Zhejiang Ci School and The New Voice of Baishi

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

清代浙西詞派的開創者朱彝尊推崇姜夔和張炎，提倡醇雅清空，但其實際創作更加靠近張炎，真正能够實現朱彝尊推尊姜夔的理念，並開創浙西詞派發展局面的是厲鶚。厲鶚與姜夔的共鳴既表現在藝術上，也表現在生活經歷上。但他對姜夔既有學習也有發展。一是通過表現特定區域的山水來寫人物感情和特定的美學感受，二是通過寫歷史人物來營造氛圍，三是創造了詞中的寧静清寂之境。儘管厲鶚的咏物詞特别追求獨創，但當時和後世的接受者却往往片面接受了其徵典獺祭之作，這反映了時代審美思潮的某些方面。

Although Zhu Yizun, the inaugurator of West Zhejiang Ci School in the Qing Dynasty, canonizes Jiang Kui and Zhang Yan and advocates “Pure and Elegant” and “Clear and Empty”, his writings close more with Zhang Yan. It is Li E who can carry out Zhu Yizun’s idea for respecting Jiang Kui and start the development for West Zhejiang Ci School. Li E’s sympathy with Jiang Kui is in arts as well as in life. But Li E not only follows Jiang Kui but also exceeds him which is reflected as follows: first, he can write feeling and aesthetic taste by location landscape; second, he can create atmosphere by writing historical persons; third, he creates a kind of state, quiet and clear, in the Ci poetry. Though Jiang Kui’s Ci poetry on objects was full of creation, the receivers, in present and afterward, often take his such works with a lot of allusions as excellent ones. That shows some aspects of aesthetic spirit for the era.