《愔愔室詩詞文稿》
DOI:
https://doi.org/10.24112/sinohumanitas.102414Abstract
LANGUAGE NOTE | Document text in Chinese only.
談起中國歷代的女詩人,大約只有李清照、朱淑真這些名字爲大家耳熟能詳。其實我國清代的閨閣詩人有詩詞文集傳世者不在少數。可惜進入二十世紀以後,隨著傳統詩詞逐漸退出主流文壇,女作家亦罕有以詩名世者。但在這個時代作傳統詩詞,濾浄了世俗的因素,純爲寄意遣懷,反而能出有真性情的佳作。香港古琴家、書家及音樂教育家蔡德允女史最近出版的《愔愔室詩詞文稿》,便是因爲編集了從前〝未嘗有發表於世之想〞的全部舊作,而充分展現了一位從傳統中走來的現代女詞人的獨特風采。她精通古琴和書法的藝術氣質,使她自然繼承了清代閨閣詩人的優雅和柔婉;而她所經歷的將近一個世紀的變遷,又不可避免地爲她的詩詞烙上了時代的印記。(撮要取自內文首段)
Published
How to Cite
Issue
Section
License
Copyright (c) 2004 人文中國學報
![Creative Commons License](http://i.creativecommons.org/l/by-nc/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The CC BY-NC 4.0 license permits use, distribution and reproduction in any medium, provided the original work is properly cited and not used for commercial purposes. Copyright on any article is retained by the author(s) and the publisher(s).