文學無意構建“新滿洲”——《新滿洲》雜誌考述

Literature Had No Intention to Construct “New Manchou”: Research and Recounting on “New Manchou” Periodical

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

本文是對僞滿洲國時期存在時間最長的一本中文文化綜合期刊《新滿洲》的考述。詳細考察《新滿洲》雜誌7年的編輯流程，清理出雜誌的真實辦刊策略。在僞滿洲國那個異態時空中，《新滿洲》雜誌既要維持自身的生存，又要維護雜誌的尊嚴。雜誌以文學爲手段，在順從“規範”的同時卻走向與之無關的不合作之路。在妥協和抗争的同時運作下，雜誌中的文學出現了獨特的景觀：妥協中催生的通俗文學，承載了創生新文體的文學精神；妥協中催生的女性文學，提供了新的文學經驗。

It is a textural research and recounting on “New Manchou”, a comprehensive periodical on culture written in Chinese, which lasted the longest during the period of Puppet Manchou State. The writer careful study on the 7 years that “New Manchou” had experienced, the dissertation reveals the real management strategy of this periodical. Under the tough suppression and mighty rule of the illegitimate government, “New Manchou” had to keep its existence and maintain its dignity as a periodical. By using literature, the periodical abided by the government’s art and literature policy but did no cooperation with it. Driven by attitudes that combined compromise with struggle, the literary works published in the periodical contributed to modern Chinese literature in the following ways: popular literature carried the literary spirit to create new literary forms; and women’s literature provided new literary experience.