南戲《荆釵記》古劇本的階層分化以及其近代以後的傳播方式

Hierarchical Diversification in the Ancient Play Script of the Southern Play The Thorn Hairpin and its Circulation Modes since Modern Times

Authors

  • 田仲一成 (TANAKA Issei) 東京大學

DOI:

https://doi.org/10.24112/sinohumanitas.162520

Keywords:

南戲, 荆釵記, 古本, 分化, 傳播, 閩本, 京本, 徽本, 弋陽腔本, Southern drama, The Thorn Hairpin, ancient play scripts, diversification, communication

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

本文通過對比《荆釵記》的古本，修正古本、閩本、京本、徽本、弋陽腔本、近代高腔本等各系劇本的特性和繼承關係，指出《荆釵記》的近代地方戲劇起源於明代嘉靖以前的鄉村戲劇，與上層宗族社會流行的京本無關。

This essay argues that some modem regional plays on the thematic circle of The Thorn Hairpin (Jingchai ji) originated from rural plays before the Jiajing reign-period (1521-1566) of the Ming dynasty, and were therefore unrelated to the Capital edition that was popular among the upper social class. This is based on analyses of the characteristics of various plays, as well as their inherited relationships. These analyses mainly rely on a comparison among the old editions of Thorn Hairpin, revised editions, and the Min (Fukien), Capital, Hui (Anhui), Yiyang-tune and modern high-pitch tune editions.

Published

2010-09-01

How to Cite

田仲 一. (2010). 南戲《荆釵記》古劇本的階層分化以及其近代以後的傳播方式: Hierarchical Diversification in the Ancient Play Script of the Southern Play The Thorn Hairpin and its Circulation Modes since Modern Times. 人文中國學報, 16, 1–36. https://doi.org/10.24112/sinohumanitas.162520

Issue

第十六期

Section

論文

License

Copyright (c) 2010 人文中國學報

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