唐宋詞中的“門”:一個空間符號的分析

The Spatial Signifier of the “Door” in Tang and Song Ci Poetry

Authors

  • 黄自鴻 (WONG Chi Hung) 香港公開大學人文社會科學院

DOI:

https://doi.org/10.24112/sinohumanitas.172590

Keywords:

詞門, 空間, 西美爾, 巴歇拉爾, Ci Poetry, Door, Space, Simmel, Bachelard

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

文學作品中的“門”有着重要的象徵或情節功能,是一個具有典型意義的符號。本文擬考察唐宋詞中“門”的用法和其他空間物件的特定組合,探討詞以封閉、離别爲主的獨特空間觀,並根據幾位詞人的用例,説明《花間詞》奠下“門”的固有形象,而在豪放詞人的筆下,“敲門”的運用和較開闊的空間則擴闊詞的内容和空間處理的方式。

The “Door” is a sign with important symbolic meanings and functions in literature. This paper seeks to investigate the use of the “door” signifier and the combinations of the door and other spatial objects in Tang and Song ci poetry. Textual examples from the poems in the period show that the closed and restricted spatial setting of Huajian Ci has been established as the basic feature of ci poetry. The usage of “knocking the door” imagery and the open spatial setting in Haofang Ci have broadened the content and the method of spatial description in ci poetry.

Published

2011-09-01

How to Cite

黄 自. (2011). 唐宋詞中的“門”:一個空間符號的分析: The Spatial Signifier of the “Door” in Tang and Song Ci Poetry. 人文中國學報, 17, 117–137. https://doi.org/10.24112/sinohumanitas.172590

Issue

Section

論文

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