《紅樓夢》圖詠的藝文空間與士人交遊———從海上閨彦／邦彦到洋場才子

Artistic and Cultural Spaces and Associations among Intellectuals: Portraits and Chants in A Dream of the Red Chamber—Talented Women and Men of Shanghai

Abstract

LANGUAGE NOTE | Document text in Chinese; abstract also in English.

本文以改琦（1773-1828）於嘉慶、道光年間所繪數種《紅樓夢》圖／詠爲起點，探討以“海上”爲中心的閨彦／邦彦藝文社群的形成、演變與轉型歷程。聚焦於三個研究子題：一、探討雙園合璧與“海上”紅學脈絡，分析松江“古倪園”與上海“吾園”的書、畫、圖籍刊刻與文藝雅集社群所形塑的氛圍，及其對改琦《紅樓夢》人物畫的影響，綜述海上紅學的形成和雙園的互動關係。二、從改琦數種《紅樓夢》人物畫的題詠者所交織呈現的才女與才子群像，交遊網絡與文藝作品，探究海上人文地理的豐富圖景。尤以閨彦／邦彦群像與圖詠創作爲核心，梳理其流變過程。三、海上變局及晚清洋場才子的繼承與創發。主要以同治、光緒時期王韜、鄒弢、韓邦慶等才子受上述文藝流脈的啟發，而致力於地方誌、閨彦詞集、人情小説的編纂與創作，深入剖析其創作意識的特徵、如何轉變與後續發展及影響。

This essay begins with a discussion of some pictures and poems on A Dream of the Red Chamber by Gai Qi (1773-1828) dating from the Jiaqing and Daoguang years (1796-1850), and explores the formation, evolution, and transformation of the saloons of the “talented women from the boudoir” (Guiyan) and “talented ones of the state” (Bangyan), which were based in Shanghai City. It focuses on three research sub-topics. The first is an investigation of the combination of two gardens and Shanghai Redology. It discusses how the paintings of the characters in A Dream of the Red Chamber by Gai Qi were influenced by the atmosphere formed by the books, paintings, picture books, and engravings published by Gu Ni Garden and Wu Garden of Shanghai, as well as the atmosphere shaped by the literary and art community. The second focus is on the critical presentations of portraits of talented men and talented ladies, their social networks, and their literary and art works, in order to explore the rich meanings in the picture of the humanistic geography of the Shanghai art and literary scene. In particular, we centered on Guiyan and Bangyan portraits and artworks to examine their evolutions. The third sub-topic concerns the political changes in Shanghai and the inheritance and creation of talented men in the late Qing Dynasty. This section focuses on the talented men of the Tongzhi and Guangxu eras (1861-1908) including Wang Tao (1828-1879), Zou Tao (1850-1931), Han Bangqing (1856-1894), and others, who were influenced and inspired by the above literary and art movement and devoted themselves to the compilation and creation of local gazetteers, romantic narratives, domestic novels, and lyrics by boudoir talented ladies. It further analyzes the characteristics of their creative consciousness, its transformative process, development, and impacts.