第二十九期

View 第二十九期

ISBN: 9787532595167

Published: 2020-01-01

論文

據上博楚簡訂補楊伯峻《春秋左傳注》十則 Examining and Supplementing Yang Bojun’s Commentary on the Annals of the Spring and Autumn Periods with Zuoqiu Ming’s Exegesis in Light of Evidence from the Bamboo Slips Preserved in Shanghai Museum

李詠健 (LEE Wing Kin)

1-25
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《王勃集》的編纂時期———以日本傳存《王勃集》卷三十所收《族翁承烈致祭文》爲中心 On the Compilation Date of the Collected Works of Wang Bo, with a Focus on “A Funeral Oration by Bo’s Uncle” Preserved in Japan

道坂昭廣 (MICHISAKA Akihiro)

27-44
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從《費諾洛薩筆記》看森槐南的李白詩解釋 On an Interpretation of Li Bai’s Poems by Mori Kainan in Light of “Fenollosa’s Notes”

長谷部剛 (HASEBE Tsuyoshi)

45-60
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間架的美感：試探長調過片的抒情類型與表現 The Lyrical Patterns and Aesthetic Expressions in the Beginning of the Second Stanza of Long Tunes of Ci-poetry

余佳韻 (YU Jia Yun)

61-91
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明茅暎評點《牡丹亭》析論 Analyses of the Ming Critic Mao Ying’s Comments on The Peony Pavilion

羅麗容 (LUO Li Zong)

93-135
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機鋒與神理：王夫之《遣興詩》及其詩學意義初探 Zen Witticisms and Spiritual Patterns: Wang Fuzhi’s “Letting out What Stirred Me” Poems and Their Significance in the Light of His Poetic Theory

章琛 (CHEN Zhang)

137-165
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東亞漢詩的艷情傳統———以琉球詩人蔡大鼎爲例 The Erotic Tradition of Chinese Poetry in East Asia ———A Case Study of Cai Dading, a Ryukyu Poet

張明明 (ZHANG Mingming)

167-187
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“文如其人”、“風格即人”與李長之的“傳記批評” “Writing Reflects the Author’s Personality,” “Le Style, C’est L’homme,” and Li Changzhi’s Critique of Biographies

廖棟樑 (LIAO Tung Liang), 錢瑋東 (CHIN Wai Tong)

189-231
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張愛玲的“姘”字練習：《桂花蒸阿小悲秋》的文學實驗 Eileen Chang’s Practice of the Character Pin: The Literary Experiment of “Steaming Osmanthus Blossoms: A Xiao’s Lament for Autumn”

張小虹 (CHANG Hsiao Hung)

233-276
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同志文學翻譯之叙事建構：以白先勇作品《孽子》的英譯爲例 The Narrative Structure of Gay Literature in Translation: A Study of the English Translation of Pai Hsien-yung’s Crystal Boys

李波 (LI Bo)

277-295
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從“布施”與“檀越”看譯詞的歷時之變 The Diachronic Change of Renderings: “Dāna” and “Dana-pati” as Examples

高婉瑜 (KAO Wan Yu)

297-330
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書評

錢志熙：《陶淵明傳》

劉淑麗

333-339
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龔宗傑：《明代戲曲中的詞作研究》

李良子

340-346
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