第十九期

View 第十九期

ISBN: 9787532570591

Published: 2013-10-01

論文

詩、畫、禪與蘇軾、黄庭堅詠竹題畫研究———以墨竹題詠與禪趣、比德、興寄爲核心 Poetry, Painting, and Chan Buddhism: A Study of Inscription Poems on Paintings of Bamboo by Su Shi and Huang Tingjian, with a Focus on the Interaction between Poems Inscribed on Paintings of Bamboo in Black Ink, Chan Buddhist Aesthetics, and Metaphorical Representation of Moral Character

張高評 (CHANG Kao Ping)

1-42
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《夷堅志》中不公正的蒼天和軟弱的神仙 Divine Injustice and Frail Deities in the Stories of Hong Mai

艾朗諾 (Ronald EGAN)

43-56
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元代佛典《佛説目連救母經》向《目連寶卷》與閩北目連戲的文學性演變 The Transformation of the Mulian Story from a Yuan- Dynasty Buddhist Text, Sutra of Buddha’s Sermon on Mahāmaudgalyāyana’s Rescue of His Mother, to Two Literary Texts, The Mulian Precious Scroll and The Putian Mulian Drama

田仲一成 (TANAKA Issei)

57-120
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論元末顧瑛“三教合一”視域中的玉山雅集 Syncretism of The Three Teachings in Gu Ying’s Yushan Salons Held in Late Yuan Times

吴新雷 (WU Xinlei)

121-145
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暴力修行：道教謫凡神話與水滸的忠義敘述 Religious Conversion through Violence: Taoist Myths of Banishment and the Discourse on Allegiance and Righteousness in Water Margin

李豐楙 (LEE Fong Mao)

147-180
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屈原哲學思想及與孟子之比較 Comparison of the Philosophical Thought of Qu Yuan and Mencius

王志 (WANG Zhi)

181-203
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王引之《經義述聞•國語上》斠正 A Critical Study of “Guoyu (part 1)” in Wang Yinzhi’s Jingyi Shuwen

蕭敬偉 (SIU King Wai), 郭鵬飛 (KWOK Pang Fei)

205-221
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東海絲綢之路史疏 The History of the East China Sea Silk Road

李傳江 (LI Chuanjiang)

223-238
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魔鬼在細節中———王漁洋研究與“手抄本文化” The Devil is in the Details: The Study of Wang Yuyang and “Manuscript Culture”

嚴志雄 (Lawrence C. H. YIM)

239-266
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晚清女性紅樓接受的社會學探討 A Sociological Study of Hongloumeng Reception among Female Poets in the Late Qing Era

王力堅 (WANG Lijian)

267-296
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王韜與近代早期香港華文報刊業———《循環日報》創辦緣起考 Wang Tao and the Early Modern Chinese Newspaper Industry of Hong Kong—On the Origins of the Hsun Huan Jih Pao

蕭永宏 (XIAO Yonghong)

297-344
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五四時期粤港新詩與基督教———李聖華之《和諧集》初探 Modern Poetry in the Guangzhou Area During the May-Fourth Era and Its Relation with Christianity: On Li Shenghua’s Harmony Collection

吴美筠 (NG Mei Kwan)

345-384
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戰争意識規範下的“文藝戰鬥隊”———文工團的歷史考察及其功能闡釋 The “Combat Team of Art” under Awareness of War: A Historical Investigation of the Art Ensemble and Its Function

郭國昌 (GUO Guochang)

385-410
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殷墟王陵區人祭坑與卜辭所見“羌祭”及“殺牲法”研究 A Study to the Human Sacrificial Pits at the Yinxu Royal Cemetery and the Qiang People Recorded in the Oracle Bone Inscriptions Concerning the Victim Killing in Ritual Performance

唐際根 (TANG Jigen), 牛海茹 (NIU Hairu)

411-431
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“充餘之美”———唐君毅先生論中國藝術精神 “The Beauty of Abundance”: Tang Zunyi’s Discourses on The Spirit of Chinese Aesthetics

文潔華 (Eva Kit Wah MAN)

433-456
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書評

吕宗力：《漢代的謡言》

王子今

459-470
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張暉：《中國的“詩史”傳統》

沙先一

471-478
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劉躍進：《秦漢文學地理與文人分布》

龍文玲

479-484
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黄忠慎：《清代〈詩經〉學論稿》

陳才

485-494
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商偉：《禮與十八世紀的文化轉折：〈儒林外史〉研究》

張惠

495-502
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